Classical Modernity Apartment

In New York, Sig Bergamin and Murilo Lomas reveal a distilled maximalism, built more through material and light than through volume. The palette is warm and controlled, beiges and earth tones, caramel, camel, and cream, sharpened by precise gilding and punctuated by black and green lacquer. It is a luxury of texture, where every surface has a purpose. Geometry guides the project as a sensory language. In the living room, linen curtains with Greek trim, a rug edged in bas-relief, and the coffee table read as a continuous gesture, amplified by a mirror that extends the perspective. Art sets the tempo: a photograph of Andy Warhol by Christopher Makos gives the room its axis and attitude, while a one-of-a-kind Miró tapestry introduces graphic tension and color. The sitting area resolves into calibrated domestic glamour, with bouclé, velvets, and faceted metal tables. A veined marble fireplace carries architectural weight, reinforced by the mirror play and the discipline of neutrals. In the dining room, a monumental tapestry functions as an art wall, while a round table and upholstered chairs keep the mood lived-in. A green-lacquer sideboard with brass detailing and mushroom-shaped lamps arrives as an accent, almost a jewel. In the private wing, the primary suite completes the urban refuge. Tobacco-toned walls, a sinuous upholstered headboard, embroidered trim, and brass create a quiet atmosphere, with flowering branches treated as sculpture. In the end, it is New York filtered through Sig and Murilo: classical in its envelope, modern in its edit, sensorial in its materiality.